Late actor Nana Patekar made his last film Shaktishalini under the banner of Dinesh Vijan’s Maddock Films. According to sources close to him, the specialty of the film is its story and starcast as well as its world. It is different from traditional horror-comedy. In this, importance has been given to social situations, incidents inspired by real life and the ravines of Chambal. Nana’s character is serious and rebellious rather than comic. The film has been directed by Aditya Sarpotdar of Munjya and Thaama fame and the story has been written by Durgesh Singh of Gullak fame. The film is not a horror-comedy, it is a social horror-drama. According to sources, it would not be right to keep the film in the horror-comedy category. Its story is based on serious drama, in which the fear and tension arising from social situations are important. There is a horror element in the film, but its aim is not to scare the audience through comedy. An attempt has been made to create uneasiness through the circumstances and social background of the story. Therefore it is being considered as a social horror-drama. The story is inspired by real incidents. The story of the film is said to be inspired by real incidents. However, there is a difference between taking inspiration and depicting an incident exactly on screen. It is not yet clear to what extent the script follows actual events and where creative liberty has been taken. Sources are saying that its story and background is different from other horror-comedy films. Shooting took place in Chambal, Gwalior, Bhind and Morena. According to the information, the shooting of the film took place in Chambal region, Gwalior and surrounding locations. There is also mention of shooting in Bhind and Morena. The geographical structure of these places, the expanse of ravines and the atmosphere can give a different visual appeal to the film. In such films, the location is not just the background, but also helps in understanding the thinking and struggles of the characters. Nana shot in 40 degree temperature. According to sources, the shooting schedule was long and the actors worked even in hot weather. Shooting took place in Gwalior and rugged areas in temperatures around 40 degrees. Shooting in the ravines was a different experience for Nana Patekar. It is said that he had not shot in this kind of environment before. Despite this, he completed the shooting in a professional manner. Nana’s character will be serious, completely different from comedy, Nana Patekar’s character is serious and rebellious. It is not being considered as a sequel to his popular comic characters. The character is related to that world of ravines, where struggle, social pressure and the insistence to live one’s own way are important. However, not much is known about his full backstory and role in the story. Aneet Padda took acting tips from Nana. According to sources, Nana Patekar shared his experiences with the young actors during the shooting. This is said to be a big scale project from the point of view of Anit Padda’s career. Working with a senior actor like Nana was a learning opportunity for him. His acting experience, way of understanding the scene and his habit of paying attention to the nuances of the character were useful for the young artists. Anit also took acting tips from him. Aditya Sarpotdar reached the farmhouse to narrate the story to Nana. According to sources related to Nana, Marathi filmmaker Aditya Sarpotdar had earlier approached him for two of his Marathi films, but due to dates and other reasons the project did not progress. Finally, both of them could work together in Shaktishalini. Aditya and writer Durgesh Singh went to Nana’s farmhouse several times to narrate the story. The narration was not completed in one sitting. The story was discussed in detail in several meetings and the total narration lasted for about eight to ten hours. Nana Patekar used to cook food while listening to stories. According to sources, the process of storytelling at the farmhouse was not limited to formal meetings. During the conversation, there was a mention of Nana listening to the stories while he was cooking. Along with discussing the story, their normal daily routine also continued. The idea of a story is not enough to prepare a senior actor for a role. It is also important to explain its backstory, nature and the overall vision of the film. Nana considered Irrfan Khan among the best actors. During the discussion on ravines, late actor Irrfan Khan was mentioned. Nana Patekar used to praise his acting and counted him among the best actors. Irrfan’s film Paan Singh Tomar was also mentioned in the cinematic context of Chambal and rebel life. According to sources, Nana loved this film very much. However, this does not mean that Shaktishalini follows his story or style. More important than comparing the two films is the attention paid to making the characters and their world realistic. Editing started, Sachin-Jigar’s name linked to music. Information about editing of the film has started. Technically this is called edit lock stage. The film may be released by February. The makers have not made a film with heavy VFX like Thama or Bhediya. The names of old collaborators Sachin-Jigar have come up for music. There was discussion on recreating an old song, but it cannot be considered as the final music plan. It would be too early to link the film with Maddock’s horror-comedy films, as its genre and treatment are said to be different. This project will be memorable for Nana Patekar. Nana Patekar’s serious and rebellious character is the special aspect of this film. The story inspired by real events, the locations of Chambal and his work with young artists like Aneet Padda can give a different identity to the project. This is also an opportunity for Maddock Films to move beyond its horror-comedy image and present a different story.
Source link
[ad_3]
आखिरी फिल्म में ‘बीहड़’ के बागी बने दिखेंगे नाना पाटेकर: 40 डिग्री में शूटिंग की, इरफान खान को बहुत याद करते थे
