Starcast – Ali Fazal, Pankaj Tripathi, Divyendu Sharma, Ravi Kishan, Jeetendra Kumar, Rasika Duggal, Shweta Tripathi, Abhishek Banerjee, Shreya Pilgaonkar Director – Gurmeet Singh Duration – 3 hours 17 minutes Rating – 3.5/5 In the world of Mirzapur, the gun is more powerful than the law and the move made at the right time is more powerful than the gun. After watching This World’s Bhaukaal on OTT for three seasons, now Gurmeet Singh has brought it on the big screen. The good thing is that the film has not tried to be just a long episode of the series. It has been given cinematic expansion. But in this 3 hours 17 minutes long film, while many sequences make a great impact on the big screen, at some places the story takes more time than necessary to reach its destination. How is the screenplay of the film? The story of ‘Mirzapur: The Movie’ returns to the same world of the franchise, where as soon as the chair of power becomes vacant, the guns start speaking their own language. The film actually opens a chapter in the story of Mirzapur, which is in the middle of the timeline of the series. That is, this story does not suddenly go to another world, but adds a new game between the old characters and their relationships. For Kaalin Bhaiya i.e. Pankaj Tripathi, power is not just a question of throne, it is a question of inheritance and influence. On the other hand, the world of Guddu Pandit i.e. Ali Fazal revolves around revenge and power. And then the presence of Munna Tripathi i.e. Divyendu makes this whole equation dangerous again. Munna’s return is the biggest trump card of the film, but the story does not depend only on the return of old faces. Ravi Kishan’s Babbua Yadav adds new color to this power game. As soon as he arrives, a different kind of aggression is seen in the story. Beena Tripathi i.e. Rasika Duggal also plays her tricks and this is the specialty of Mirzapur. Here no character is just a part of the story, everyone is a player in some game or the other. As the story progresses, it leaves the streets of Mirzapur and reaches the desert of Rajasthan. This battle of revenge, power, betrayal and supremacy gradually reaches a point where old enmities and new equations stand face to face. Puneet Krishna’s writing is still the backbone of this franchise. The dialogue of Mirzapur is not just dialogue, it becomes the identity of the character. At many places in the film, the dialogue is so intense that tension is created in the scene even before the shot is fired. The special thing is that the humor here also comes from the same dark world. The occasional bursts of country humor amid the violence keep the film from remaining relentlessly serious. But this is where the screenplay creates a bit of trouble. The film has many characters, many old relationships and many new equations too. In an attempt to handle these, in the second part, instead of moving forward, the story seems to be revolving in a circle of its own making. Had some parts been shortened, the impact of the film could have been stronger. How is the acting of the star cast? Divyendu Sharma- Seeing Divyendu as Munna again is not just a nostalgic treat for the fans, it is also a big highlight of the film at the acting level. The mix that Divyendu has created of Munna’s carelessness, eccentricity and dangerous innocence still works. Pankaj Tripathi- Kaalin Bhaiya is the exact opposite of Divyendu’s character Munna. He speaks less and makes people feel more. His acting doesn’t make noise, but captures the scene. Ali Fazal- Ali’s Guddu is now a tougher character than before and understands the game of power. His anger now reflects not only revenge but also the hunger for power. Ravi Kishan- His entry gives the necessary energy to the film. His desi style and aggression in the character of Babbua Yadav adds a new flavor to the world of Mirzapur. Rasika Duggal, Jitendra Kumar, Abhishek Banerjee, Rajesh Tailang and the rest of the actors also keep their characters a part of the same world. The real advantage of Mirzapur on the big screen: The guns of Mirzapur were also used on OTT, but their impact is different in theatres. The sound of gunfire, scuffles, bloodshed and big action sequences give the film a theatrical scale. Especially the pre-climax and climax part of the film has been shot brilliantly in the desert of Rajasthan. Here director Gurmeet Singh gets his maximum freedom and the camera does not allow the location to be just a background but makes it a part of the action. Cinematography also increases the scale of the film. 3 hours 17 minutes is heavy. The biggest drawback of the film is its length. The first part quickly establishes the story, characters and conflict. The film remains quite entertaining at many places till the interval. But after the interval, the screenplay explains too much in some parts and the pace drops. This is where the film needed a little tightening. The same thing has come to light in the latest reactions regarding over-explaining and pacing. Some scenes seem to be necessary for the story, but they do not advance the pace of the film that much. This is why a cut of about 15-20 minutes could have made the film more effective. Then in the last part the film picks up pace again and the story regains its weight with action. How is the direction, how was the film technically made? The most difficult thing Gurmeet Singh has done is to convert the OTT identity of Mirzapur into the language of the big screen. In this matter he is successful to a great extent. There is mass elevation in the film, but it doesn’t completely move out of its original world. The background score gives the necessary strength to many action and entry sequences. The songs are not the main attraction of the film and they are not allowed to dominate the story. The production art and locations keep the world of the film believable. The camera does a good job especially in the action sequences. Final Verdict: Watch the movie or not? The biggest achievement of ‘Mirzapur: The Movie’ is that it succeeds in taking its original story to the big screen. Kaalin Bhaiya’s stagnation, Guddu’s anger, Munna’s madness and Babbua Yadav’s new aggression all together create many such moments in the film which remain memorable. But the difference between a good film and a great film is the tightness of the screenplay. The story is strong, the actors are strong, the dialogues are strong and the climax is also strong, but the middle part is not that sharp. Overall, ‘Mirzapur: The Movie’ speaks the same old dialect of Bhaukaal, only this time the voice is of the big screen. There is a lot of gunpowder in the film, the characters are also in their colors, but if the pace of the story had been a little more scissor, then this Bhaukaal could have been more powerful.
Source link
[ad_3]
मूवी रिव्यू- मिर्जापुरः द फिल्म: मुन्ना का पागलपन, कालीन भैया का ठहराव और गुड्डू का गुस्सा, ‘मिर्जापुर’ में फिर गरजी बंदूकें, लेकिन कहानी हुई लंबी
