In the last few years, films based on Indian mythology and Sanatana have received good response from the audience. The film Nagabandham is also a treasure hunt adventure in this series, which tries to connect Sanatan’s heritage, history and human greed together. The idea and visual scale of the film impress, but the weak screenplay and excessively long running time become its biggest weaknesses. The story of the film begins in the Himalayas in the year 1962, where archaeologists Zulfikar Ali (Rishabh Sahni) and Tesla (Jason Shah) reach a cave in search of the mysterious Nagabandham. There, a recluse imprisoned in a tree tells Zulfikar his biggest truth that he was Ahmed Shah Abdali in his previous life. Bairagi lures him to rule the entire world by acquiring Pushpakamal and Nagabandham. Zulfiqar, on the other hand, attacks Rudra (Virat Karna) and his family as he believes that he has the secret of Pushpakamal. Rudra loses his entire family in this attack. Whereas a big secret related to Parvati (Nabha Natesh), whom Rudra trusts the most, gives a new twist to the story. Rudra sets out in search of revenge and truth. Meanwhile, the story reaches 1756, where it is shown how Ahmed Shah Abdali tried to obtain the divine lotus flower by attacking Hindu temples. Now the climax of the film hinges on whether Rudra will be able to protect Nagabandham and Pushpakamal and whether he will be able to take revenge from Zulfikar. Virat Karna has worked hard in the role of Rudra in the film. He leaves an impact in action scenes, but at times in emotional and serious scenes, his performance feels excessively loud and overdramatic. He has potential as a lead actor, but he still needs to work more on his acting. The biggest strength of the film is Nabha Natesh. He has acted well in the double role and his character brings the biggest surprise in the story. Rishabh Sahni’s look in the roles of Zulfikar and Ahmed Shah Abdali is impressive and he tries to create fear, but at many places his performance also seems louder than necessary. Whereas Jagapathi Babu, Murali Sharma, Mahesh Manjrekar and Aishwarya Menon do justice to their respective characters. Abhishek Nama has taken over the responsibility of direction and technical side of the story, screenplay and direction in the film. The base of the film is quite strong. The opening is fantastic and the set design, cinematography and VFX give the big screen feel. The film keeps you engaged for the first half hour. But after this, due to loose screenplay, the story repeatedly deviates and loses momentum. A big surprise comes at the interval, which reminds of films like Baahubali and Kantara. After this, the film gets back on track for some time, but in the second half the story once again falls apart. The film’s excessively long running time, constant loud background music, over-the-top acting at places and poor editing test the audience’s patience. If the editing had been a little tighter and more work had been done on the screenplay, this story could have become much more effective. Music in the film: The background score of the film feels louder than necessary. In many scenes, instead of evoking emotions, it overpowers them. The songs are also not such that they are remembered after the film is over. Final Verdict on the Film The idea of Nagabandham is not new, but the attempt to connect it with Indian history, Sanatan’s heritage and mythological mysteries is interesting. Great visuals, gorgeous sets and some nice surprises make this film worth watching. However, weak screenplay, long duration and loud treatment hinder its pace again and again. If you like mythological mysteries, treasure hunts and films with big visual scale, Nagabandham is a must-watch.
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मूवी रिव्यू – ‘नागबंधम’: सनातन के रहस्य, ट्रेजर हंट और बाहुबली-कांतारा 2 वाला एहसास… लेकिन क्या कमजोर स्क्रीनप्ले पड़ेगा भारी? जानिए कैसी है मूवी
