फिल्म रिव्यू -सनी संस्कारी की तुलसी कुमारी: वरुण धवन की कॉमिक टाइमिंग जोरदार, कहानी और क्लाइमैक्स में कमी, जानिए फिल्म में कितना है दम

Whenever the pair of Shashank Khaitan and Varun Dhawan comes together, the audience is guaranteed to light comedy, romance and masala entertainment. After Humpty Sharma’s Dulhania and Badrinath’s Dulhania, the pair has now returned to Sunny Sanskari’s Tulsi Kumari. The film is colorful and grand, but this more attachment to the films made on the weddings of Karan Johar now seems to be beyond comprehension. There is a shortage of logic at many places in the story, and in some scenes, an attempt to force a message is clearly visible. The climax also looks a bit strange in a hurry.

The story of the film’s story story is the same old wedding drama. Both Sunny (Varun Dhawan) and Tulsi (Jahnavi Kapoor) have cheated their respective partners. Now their X -Vikram (Rohit Saraf) and Ananya (Sanya Malhotra) – are going to get married in you. Sunny and Tulsi together try to break this marriage and get their love back. In this journey, comedy, drama and some emotional situations are available, but sometimes the situation seems so artificial that the audience is not able to connect with them.

Acting in the film Varun Dhawan is on screen with full energy. His style is fun and his comic timing looks good, but sometimes it seems as if he is repeating his own old style. Govinda’s image also reflects in his acting. Jahnavi Kapoor looks good on the screen, but his performance weakens in many places. They have to work hard on emotional and comic scenes right now. Sanya Malhotra is more natural and effective than him. Rohit Saraf’s role was not as deep, so his effect was also simple.

The film has been produced by Karan Johar, Apoorva Mehta, Adar Poonawala and Shashank Khaitan.

The direction and technical aspect of the film Shashank Khaitan offers the film with the classic glow of Dharma Productions-big sets, grand wedding, colorful songs and beautiful locations. But the grip of the story becomes loose again and again. Some scenes seem excessively and mismatched – such as women’s washroom sequences, which are neither funny nor contribute to the story. The climax of the film also does not live up to expectation and has been abolished in a hurry.

The music of the film shows hard work on the songs, but neither music is new nor remembered. Varun Dhawan’s dance sequence entertains, but the songs do not live together while getting out of the theater.

The film’s final Wordict Sunny Sanskari’s Tulsi Kumari is a light-hearted entertainer. Varun Dhawan’s energy and Sanya Malhotra’s performance handle the film, but the old pace of the story, the compulsion messages and the hasty climax touched in a hurry. This film is a timepass for grand wedding and glamor fonds, but not for a new story or depth seekers.